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Labour & Political Economy
Bangladesh Garment Workers’ Current Protest: What to Expect and a Few Questions to Examine
Global South & Transnational Struggles
ICE ICE Baby: Detention and Deportation in Trump’s Egregiously Wretched Immigration Policies
Tributes
Tribute to Eusi Kwayana
Popular Participation & Democratization
Two Blue Waves Upend Ruling Parties: U.S. Current Flows Left, but South Africa’s Drifts Right
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Book Review: One Love: Essays on Pan African Struggles Here and There, Presented to Horace Campbell. Edited by Michael O. West & David Johnson. Africa World Press, 2027

Stolen artefacts


  • Nigeria demands unconditional return of looted artefacts: A season of miracles?

    Kwame Opoku | Arts & Book Reviews
    08.02.2018

    Nigeria should abandon its ineffective policy of quiet diplomacy while seeking to recover its stolen artefacts, and pursue vigorous and open policies to bring back its artefacts. 

    Tagged under Arts & Book Reviews Nigeria Stolen artefacts

  • European museums to ‘loan’ looted Benin bronzes to Nigeria?

    Kwame Opoku | Popular Participation & Democratization
    27.04.2017

    The idea of Europeans establishing in Benin City a permanent display of looted Benin artefacts that continue to be in European ownership should be considered by every African as an insult to Nigerians and African peoples. Successors to looters become arbiters of the location and display of Benin artefacts. The wishes of the Oba of Benin are simply ignored. The Benin artefacts should be returned to the Oba of Benin and his people who may decide to organize a display showing artefacts that were looted in 1897 by a violent British army.

    Tagged under Popular Participation & Democratization Benin Benin, Nigeria, Artefacts, Stolen artefacts

  • What are they really celebrating at the Musée du Quai Branly, Paris?

    Kwame Opoku | Arts & Book Reviews
    05.05.2016

    Could a museum with all the precious stolen artefacts of others and the support of the French government fail? Such celebrations are the self-congratulatory affirmations of the seemingly impregnable position certain Western cultural institutions have assumed as a result of relentless colonial exploitation and oppression of African and Asian peoples. Or how could one explain that institutions holding admittedly looted artefacts are not bothered about the illegality of their acquisitions?

     

    Tagged under Arts & Book Reviews Benin Musée du Quai Branly, Stolen artefacts

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LATEST POSTS

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